The Ogu culture has been modified by the influences of foreign cultures that were brought into Badagry by the early missionaries, traders and immigrants that sorted for refuge in Badagry. Today, Badagry is a multicultural town consisting of three major ethnic groups namely, the Ogu, Awori and Ayonu, who have coexisted peacefully for more than 100 years. Though versions of the history of the founding of the town differ, it is generally agreed that these three groups are indigenes of the town.

Badagry is blessed with rich historical and cultural heritage. Zangbeto and Sato are two major elements of Badagry’s cultural heritage that is very popular all over the world.

ZANGBETO

Zangbeto, the night watch Lord, is said to be as old as the Ogu people. Zangbeto has its origins lie in the pre-colonial history of the Ogu people of Badagry and the coastal region neighbour of Porto-Novo and has been seen and generally regarded as a cultural emblem of the Ogu people. Zangbeto (Zan – night; gbeto – person/people) literally means ‘watchers or men of the night.’

Zangbeto is believed by the Ogu people to be a Spirit, Messenger, Peace Maker, Custodian of Ogu culture and values, and Conflict Mediator at the community level.

In the mid-19th century, neighbouring nations (Old Oyo Empire and Dahomey) were interested in gaining control of Badagry because, with its seaport, it was both a strategic link in the trans-Atlantic trade and a terminus for trade routes from the interior. Zangbeto was used to protect the town from external aggression.

SATO DRUM

The origin of Sato drums is said to be from an area in Badagry called Akarakumoh. The drums were built by three men; Kodjo, Avidagba and Tosavi. The drums were first beaten in Akarakumoh village in Badagry.

Sato drums are used and beaten on special occasions, particularly at burials of old and renowned individuals. The drums are approximately three metres tall and beaten with seven long drumsticks. Those who play the drums must jump simultaneously at the rhythm of the drum, wear traditional attire and perform acrobatic displays. Those who play the drums must be orphans. Someone who has lost one parent can only use one hand to play the drum and an orphan who has lost both parents can use two hands. If both parents are still alive, you cannot play any of the drums. The drums are hollow and must be covered.